Showing posts with label Shoes in Art. Show all posts
Showing posts with label Shoes in Art. Show all posts

Thursday, October 14, 2010

I cannot stop drawing....shoes!

Since my recent foray into the storage facilities of the Bata Shoe Museum (talk about stepping into a treasure trove), I cannot stop drawing...shoes! I should not be drawing shoes; I should be working on pieces for my upcoming show at Loop Gallery, but this is way more fun....  Although I've not worked in pen and ink since architecture school, I just cannot put my pen down. It is not a forgiving medium; one slip of the pen and hours of work can be ruined. Plus with each drawing, there is a point of no return, when one more stroke will simply be too much. I'm living on the edge...of madness and loving it!

Here are two of my favourite shoe drawings so far.
Soulier de Bal (1879) by Ingrid Mida 2010




Soulier Charles IX (1879) by Ingrid Mida 2010

Tuesday, October 12, 2010

Shoes in Art

Installation shot of Art in Shoes in Art, Photo by Ingrid Mida 2010

This enchanting piece is the first thing you see when you step through the gallery doors into the Art in Shoes in Art exhibition which opened at the Bata Shoe Museum on October 2, 2010. This enlargement of the famous engraving called Habit de Cordonnier by Gerard Valck from 1690 depicts a shoemaker with shoes and tools used to construct his outfit, and his hat is comprised of fashionable men's and women's shoes. The original engraving is displayed in a cabinet around the corner and is one of the many shoe themed artworks and shoemaker's artifacts from the collection of the Bata Shoe Museum.

On a private tour of the exhibition with curator Elizabeth Semmelhack, I learned that Sonja Bata, founder of the museum, selected her favourite pieces from among the 13000 artifacts in storage to create this exhibition. Besides shoes, the museum's collection includes prints, sculptures, drawings, photographs, shoemaker's tools, shoemaker's artifacts and documents, and other forms of footwear. The exhibition is designed to showcase artworks and where possible, to pair the artwork with actual examples of the shoes or tools shown in the artwork.

For example, in the French lithograph ApprĂȘts du Marriage by Vallon de Villeneuve and printed by Charles Etienne (1820), a bride is shown donning creamy white bridal slippers with red laces that match the red accents of her dress. Displayed alongside the lithograph is a pair of ribboned slippers from 1830 from the Bata Shoe Museum collection that are similar in style to those shown in the artwork.

Apprets du Marriage, Collection of the Bata Shoe Museum
                   

P97.0063 Ribboned slippers, possibly Spanish
Collection of the Bata Shoe Museum










Other highlights include two astonishingly life-like wooden sculptures of the shoemaking saints, an exquisite ivory shoehorn, and a number of intricate prints and lithographs dating back as far as 1505.

In the alcove to the side, there are selected works by contemporary artists who use shoes as an inspiration for their work, including Marilyn Levine, Domenique Bordenowe, Paul Wunderlich, Allen James, Jules Stauber and others. One of the most surprising pieces is a ceramic sculpture of a pair of steel-toe work boots by Canadian artist Marilyn Levine. Look closely at the photo below. Don't they seem real?

P98.0032 Steel Toe Boots #2
Marilyn Levine 1971
Collection of the Bata Shoe Museum










The Bata Shoe Museum is one of my favourite museums anywhere and always worth a visit.
For hours and location information, visit their website with this link: Bata Shoe Museum.

Photo credits: All photos are subject to copyright and not to be used without permission.