Creative Process Journal: The Metaphor of the Museum

Joseph Beuys Felt Suit at the MOMA
Photo by Ingrid Mida

In contemporary art, context plays a role in defining what is considered art. One of the most well known examples of how this works are Marcel Duchamp's readymades, including the urinal, bottle-rack, bicycle wheel and snow shovels, which were presented as artworks. These mass-produced objects, displayed in the context of a gallery, challenged the notion of "aura" and prestige associated with objects of art. Since Duchamp there have been an array of artists who have used context to define their work such as Joseph Beuys did with the Felt Suit.  Others, like artists Sophie Calle,  Fred Wilson and Cornelia Parker,  have explored the metaphor of the museum as inspiration for their work.

The Birthday Ceremony by Sophie Calle 1991 

Sophie Calle played with the notion of the museum vitrine in her work The Birthday Ceremony 1991. In fifteen medical-style vitrines, Calle assembled an inventory of items received as birthday presents between 1980 and 1993. Each year on her birthday she had a birthday party, archiving her presents and exhibiting them in this display.

Creative Process Journal: Doll Houses and Wunderkammer

The Doll's House of Peronella Oortman c. 1686-1710
Inspiration for Viktor and Rolf's doll house

Another interesting aspect of the Viktor and Rolf 2008 retrospective at the Barbican Gallery was a 6-metre high doll's house which could be viewed from three different levels of the gallery. The giant Viktor and Rolf doll house references the seventeenth century cabinet houses or doll's houses from the collection of  the Rijksmuseum in Amsterdam, where Viktor and Rolf live and work. Designed by Siebe Tettero, the Viktor and Rolf dollhouse, was three storeys, with each room containing one or more dolls dressed in a Viktor and Rolf creation.