Photograph of Sleeve Detail of Countess Almaviva Costume by Ingrid Mida 2010
A few weeks ago I had the distinct pleasure of photographing two of the Opera Atelier costumes from their recent production of The Marriage of Figaro. While handling these gowns during the shoot, I was struck by the exquisite detail and workmanship. Note the delicate sleeve detail with the ribbon roses in the photo above.
Photograph of Countess Almaviva Costume Petticoat Detail by Ingrid Mida 2010
I was compelled to photograph the beautiful petticoat peaking from underneath the overskirt of the gown worn by Countess Almaviva. This petticoat would not have been visible as it is otherwise completely hidden by the overskirt. Only a true artist would care what lies beneath. For this reason, it was not a surprise to me when I heard that costume designer Martha Mann won an award last night for her work on this production.
Martha Mann received her first Dora Mavor Moore Award yesterday for Outstanding Original Costume Design for Opera Atelier’s production of The Marriage of Figaro. The Dora Mavor Moore Awards recognize the outstanding achievements of Toronto’s performing arts industry annually in five categories: General Theatre, Independent Theatre, Dance, Opera, and Theatre for Young Audiences.
“Working with Martha Mann on The Marriage of Figaro was a thrill for the entire creative team,” said Opera Atelier’s co-artistic director Marshall Pynkoski. “We are delighted that her superb artistry has been celebrated in her debut production with Opera Atelier.”