The End of a Blog?

I started blogging in 2008 and for the most part, it has been an incredible adventure. I attended exhibitions and events that I would not necessarily have had access to. I learned how to craft an article, conduct an interview, and find an audience. More importantly, I gained friends from around the world that have shared my passions, as well as my successes and my sorrows.  

There was a time when I looked forward to writing a post and I included my photos and my artwork freely. In October of this year, when I discovered that much of my blog had been copied onto other sites, without permission or attribution, I was utterly bereft. The experience robbed me of the joy that I once felt in writing a post, and I am not sure whether it will ever come back. Plus, the heavy curatorial demands of my job at Ryerson, my new responsibilities as the editor of the Costume Journal, and invitations to write for Selvedge Magazine and for Modeconnect make me feel even less inclined to continue on this forum. That doesn't mean I won't come back, but for the foreseeable I shall be absent on this platform. I invite you to stay in touch on Pinterest, Facebook or Twitter. 

                                                                       With my best wishes, 
                                                                                  
                                                                                      Ingrid Mida

Creative Process Journal: Project Summary

Creative Process Journal Diary Page by Ingrid Mida 2012

When I began this project, I undertook to explore:
1. How to portray the fragmentary nature of the historic garments of the Ryerson Fashion Research Collection through photographs?
2. Given the nature of clothing as material memory, how do I honour/remember the women who once wore these garments?

The constraints I set for myself were to only use garments and photographs found within the Ryerson collection and only photograph items on-site and in a manner that respected their fragile state.

Creative Process Journal: The Precession of Simulacra

All is Vanity
Photo by Ingrid Mida 2010

The simulacrum is never what hides the truth - it is truth that hides the fact that there is none. The simulacrum is true. 
                               Ecclesiastes

This quote by Ecclesiastes headlines the erudite essay "The Precession of Simulacra" by French philosopher Jean Baudrillard (1929-2007). Although Baudrillard often gives me a headache, I always feel a wonderful sense of accomplishment when I've muddled through his densely written essays. This particular analysis of simulacra has a direct link to the creative work I am doing in creating photographic images based on the garments and found photos in the Ryerson Fashion Research Collection.


In Baudrillard's writings on simulacra and simulation, he explores the relationship between reality, symbols, and contemporary society. Simulacra refers to a representation of something that creates a hyper-reality, becoming more real than the actual object itself.

What's on the Fashion Calendar for December 2012?

It's been a while since I've dared to post a calendar as it seemed to be one of the most popular posts to be copied onto other sites.....

Here are my picks for December 2012 fashion events:

Valentino: Master of Couture
Photo courtesy of Somerset House, 

Valentino: Master of Couture at Somerset House, London

Opened on 29 November 2012  and runs until 3 March 2013
Somerset House,  Embankment Galleries, South Wing

This exhibition celebrates the life and work of Valentino and features over 130 exquisite haute couture designs worn by icons such as Jackie Kennedy Onassis, Grace Kelly, Sophia Loren and Gwyneth Paltrow in an exciting installation created specially for Somerset House in London, UK.  I adore Valentino, but am wondering whether this exhibition can match the incredible installation at the Ara Pacis in Rome (July 6 - October 28, 2007).



Appearances Can Be Deceiving at Frida Kahlo Museum, Mexico City
Opened on November 22, 2012 and runs until November 2013

Judith Clark curated this exhibition of 300 items of clothing worn by the artist Frida Kahlo. Apparently after her death in 1954 and Diego's death in 1957, art collector Dolores Olmedo who acted as the manager the estate, refused to give access to Kahlo's archives of letters, clothes, jewelry and photographs. They were not unlocked until 2004 after Olmedo died. One of the highlights of the show is a corset designed by Jean Paul Gaultier who considered Kahlo a fashion icon and a source of inspiration.

If you cannot make it to Mexico City, the Art Gallery of Ontario has one of Frida Kahlo's painted corsets on display in their exhibition Frida & Diego: Passion, Politics and Painting. Read my post about the exhibition here.


Impressionism and Fashion at the Musee d'Orsay, Paris
Opened on 25 September 2012  and runs until 20 January 2013

In an essay called "The Painter of Modern Life", Charles Baudelaire encouraged artists to paint contemporary fashion as a way to convey modernity in their work. He wrote: "the gesture and the bearing of the woman of today give to her dress a life and a special character which are not those of the woman of the past.” Baudelaire was friends with many of the Impressionists including Degas, Manet, and Renoir, and their paintings captured women at a time when the rapid changes in fashion revealed subtle clues about class, status and identity. (By the way, this is a topic that I've researched at length and does not necessarily reflect what might be in the exhibition).

In Impressionism and Fashion, the exhibition presents paintings by such artists as Renoir and Manet as well as actual garments and considers how Impressionists such as Renoir and Manet depicted fashions of the day. A team of curators worked on this exhibition including Gloria Groom, curator at the Art Institute, Chicago, Philippe Thiébaut, general curator at the Musée d'Orsay, Paris. and Susan Stein, curator at the Metropolitan Museum of Art, New York. The exhibition will move to the Metropolitan Museum of Art from February 19 to May 27 and at the Art Institute of Chicago from June 26 to September 22.

Notice of copyright: 
All text and images on this blog are the copyright of Ingrid Mida, unless otherwise noted. The copying of posts, images and/or text without proper attribution is violation of copyright and legal action will be pursued.