Showing posts with label Christian Louboutin. Show all posts
Showing posts with label Christian Louboutin. Show all posts

Saturday, June 8, 2013

The June Fashion Calendar

I cannot recall another time when there have been so many fashion related events in Toronto, which means that, for once, I don't have to get on a plane to get my fashion fix. Here are a list of upcoming fashion related events in Toronto for June 2013.

VIKTOR&ROLF Dolls
June 9 - 30: VIKTOR&ROLF DOLLS at the ROM as part of the Luminato Festival
In this presentation at the Royal Ontario Museum, about 25 hand-crafted porcelain dolls styled to replicate runway looks are dressed in scaled-down versions of Viktor&Rolf couture designs. Initially presented in 2008 at the Barbican Art Gallery in London, England in 2008, these dolls have been set on a specially crafted miniature runway in the ROM's Thorsell Spirit House.  The exhibition is free and open during regular Museum hours. I saw this exhibition at the Barbican Art Gallery in 2008 and wrote a post at that time and have written about the dolls as part of a creative process journal project. For these reasons, I am really looking forward to having another look at these uncanny incarnations.

June 9: Out of the Box: The Rise of Sneaker CultureAn Illustrated Talk by Senior Curator Elizabeth Semmelhack at the Bata Shoe Museum 
Curator Elizabeth Semmelhack will discuss the history of the sneaker and the rise of sneaker culture in becoming the footwear of choice for many. My review of the exhibition was published on Modeconnect and my behind-the-scenes visit and interview with Elizabeth Semmelhack is presented on Worn Through.

June 21 at 330 pm: Decentralizing the Museum: The Ryerson Fashion Research Collection 
The Discursive Spaces Conference at the Art Gallery of Ontario (June 20-23) considers the "integration of art, design, and architecture in the creation of memorable and immersive museum experiences, while balancing the public’s expectations of self-directed expression and engagement".  In my joint presentation with architect Guela Solow, we will talk about our shared vision for the remodelling of the space to house the Ryerson Fashion Research Collection. In this conceptual plan,  the barriers of the museum have been disintegrated by integrating the collection within the university environment. Advance tickets are required for this conference and day passes are now available.


Friday, March 30, 2012

God Save my Shoes



The Bata Shoe Museum hosted a preview of God Save My Shoes, a documentary film about women's passionate and often obsessive relationship with shoes. The film features top shoe designers Christian Louboutin, Manolo Blahink,  and Bruno Frisoni, as well as women shoe lovers/collectors from New York, Los Angeles, Paris and Milan, including Dita von Teese and Fergie. Experts, including Dr. Valerie Steele, Director and Curator of the FIT Museum, and Elizabeth Semmelhack, Senior Curator of the Bata Shoe Museum, give thought-provoking interviews on women's obsession with high heel shoes.


Monday, May 3, 2010

On a Pedestal at the Bata Shoe Museum (Part II)

The shift from chopines to high heels that occurred in the 16th century is also an important part of the exhibition On a Pedestal at the Bata Shoe Museum.  In the 1590s, the heel was adopted in Western dress and worn by men during riding to help secure the foot in the stirrup. How this fashion spread to women is somewhat unclear.

Copyright of Museum of Fine Arts Boston 2010

During this period, some of the shoes appear to be an odd combination of a small platform and a heel. I asked curator Elizabeth Semmelhack to explain how these slap-soled shoes came to be:


Copyright of the Royal Ontario Museum 2010

"When heels were first introduced into Western dress from the Near East their original purpose was embraced.  Heels kept the foot in the stirrup when horse back riding.  However, when the rider dismounted, his high heels would sink into the mud. So in the early 17th century, men began to slip their high heeled shoes or boots into a pair of flat-soled mules to prevent their heels from sinking into the mud.  The wearing of mule with shoes or boots did prevent the heel from sinking into the mud but when the wearer attempted to walk a loud slapping sound could be heard made by the sole of the mule slapping against the heel of the shoe or boots---similar to the noise that flip flops make I would guess. Women’s fashion followed men’s in the early 17th century so they too began to wear slap-soles but women’s slap-soles often feature the heel secured to the mule sole so that they did not make noise when they walked.  This was okay for women’s footwear because women had no need to separate their high heeled shoes from their mules as they were not going to go horseback riding." 

Copyright of the Bata Shoe Museum 2010


I was particularly taken with this lovely boy's shoe (shown below) with jaunty ribbons and a painted red sole which conveyed socio-political status and privilege. (Note: Christian Louboutin was not the first shoemaker to paint the soles red!).

Copyright of the Bata Shoe Museum 2010

Visit the Bata Shoe Museum before September 20, 2010 to see this unique exhibition On a Pedestal. The beautifully written and lavishly photographed exhibition catalogue On a Pedestal, From Renaissance Chopines to Baroque Heels by Elizabeth Semmelhack is available at the museum gift-store (416-979-7799 for phone orders) and also on-line from this art books website.