The Costume Journal: Oh Canada!

Cover of the Costume Journal, Issue 43, Number 1
Art Directed by Marta Kowcun, Photo by Lawrence Cortes, Dress by Some Kong, Model Mikaela M. of Elite Models

Last fall, I agreed to take on the role as editor of the Costume Journal. Although I had more than enough to juggle, it seemed like an opportunity that I could not let pass me by. The Costume Journal is a publication of the Costume Society of Ontario, an organization that was founded in 1971 by Eileen Collard, Alan Suddon, and a passionate cadre interested in dress history. Although the circulation of this publication is relatively small, there are 14 museums and institutions around the world that subscribe to it, including the Royal Ontario Museum, the McCord Museum, and the Ryerson University Library.

After becoming the editor, I read the entire archive of the Journal from its beginnings in 1971, and was surprised to discover that the CSO used to regularly publish original research on dress, including articles by curators at the ROM and other dress historians. This seemed like a golden opportunity to revisit the Journal's roots. As well, there is a void in research on topics relating to Canadian dress and thus the theme of Oh Canada! was born.

In undertaking this redesign, my aim was to make the journal more relevant and modern, finding a niche between an academic journal and a mainstream fashion magazine, and while doing so, still honouring the Costume Journal’s roots. Up-to-date exhibition and event listings are now provided on the CSO website and Facebook page, and also circulated through membership emails.

On becoming the Editor of the Costume Journal

Cover of Costume Journal Volume 42, Number 1

The Costume Journal is a bi-annual publication by the Costume Society of Ontario that features articles, exhibition and book reviews, resource lists (books, catalogues, tours), and other fashion and costume news. This journal is mailed out to members of the Costume Society of Ontario and is also collected by libraries and museums around the world.

Creative Process Journal: Curation and Obsessions

From a curatorial perspective, finding a narrative from among the hundreds of dresses in the Ryerson Fashion Research Collection that come from different donors and span over a century of fashion history is a challenge. 

Garments represent important artifacts of material culture, giving evidence of the fashions and social history of a period. Museologist Susan Pearce describes the way objects can reflect our identity: "Objects hang before the eyes of the imagination, continuously representing ourselves to ourselves and telling the stories of our lives in ways which would be impossible otherwise" (qtd. in de la Haye 12).