Showing posts with label Barbara Sutherland. Show all posts
Showing posts with label Barbara Sutherland. Show all posts

Saturday, June 26, 2010

Roughing it in the Ravine


 I don't copy it. I talk about it.


Doris McCarthy used to say this a lot when discussing her paintings. In her prolific career as a landscape painter, Doris captured the essence of her subject matter, whether it was an iceberg, a meadow, a rock or a lake. During last week's workshop at the Doris McCarthy gallery at University of Toronto's Scarborough campus, I had ample time to drink in the deceptively simple beauty of her hard-edged abstract landscape paintings from the 1960s. With forms like a rock refined to their most elemental shapes, the strength of her composition and her masterful use of colour became evident when I attempted to copy one of the works as a learning exercise.

I find it hard to properly express the utter joy I felt while sitting on a riverbank sketching the rocks and while looking up at a towering cedar tree attempting to capture the rhythms and essence of the forms. With all the recent tumult in my life, I drank in the beauty and majesty in nature like a thirsty wanderer.  Doris McCarthy once described the process of drawing as "you are actually constructing...not what your eyes saw, but what your head understood about what your eyes saw" (Art Impressions, Winter 1993).



Workshop instructor Barbara Sutherland told us many stories and anecdotes from her 20 plus years of  friendship with Doris McCarthy. The one that really made me chuckle occurred when Barbara and Doris were on a painting trip together on the east coast of Canada. Barbara began the story by saying that Doris rarely stopped for a break during a day of painting. But one day, Barbara came back to the cabin around 1130 am and found Doris resting on the couch reading the book "Conversations with God". Barbara asked Doris what was wrong and Doris pointed to her painting from that morning and said something like "If I can't be a good painter, I may as well be a good Christian". Thankfully Doris put that painting aside and continued to work. For her, mistakes were an inevitable part of life and a reason to laugh. (This means I  should be laughing on a regular basis!!!)

On July 7, 2010, Doris McCarthy turns 100 and on that day, Mountain Galleries invites artists from across Canada to "go outside and paint a panel to celebrate McCarthy's 100th birthday with us." They will have an on-line exhibition of the results and are hoping to have over 200 participants. From the entries, twenty works will be chosen for a gallery exhibition this coming September and one participant will be invited to join the galleries stable of artists. For more information visit the Mountain Gallery website.

Monday, June 21, 2010

Roughing it in the Bush

Cover image from the exhibition catalogue from Roughing it in the Bush
A 100th Birthday Retrospective of the work of Doris McCarthy

Roughing it in the Bush is the title of an exhibition which celebrates Canadian artist's Doris McCarthy's 100th birthday. Curated by Nancy Campbell, the show highlights work that remains relatively unknown, including her hard-edged abstraction series from the 1960s.  In these paintings, Doris played with movement and form, rendering land, water and sky in simplified abstracted forms. In the words of the curator, "these rarely seen paintings provide a departure point to view the masterful landscapes of Canada for which McCarthy is so well known."

At the packed opening on Saturday at the Doris McCarthy Gallery at University of Toronto's Scarborough Campus, the crowds in attendance spoke to the enormous affection people feel for this gifted painter, teacher and mentor. Besides creating a wide and unparalleled body of work, Doris McCarthy was the first woman President of the Ontario Society of Artists and was a prominent figure in the Canadian art scene for many decades. Although Doris wasn't at the opening, there was a live video feed to allow the birthday girl to hear the remarks, cake cutting ceremony and curator's talk. Happy Birthday Doris!!

To my regular readers, it might seem odd that I am writing about an artist who is known for her abstracted landscape images of Canada. What does this have to do with fashion? And the answer would be very little, but my huge admiration for Doris McCarthy as a person and as an artist is making me step outside my box. 

About ten years ago, I met Doris McCarthy during a Scarborough Arts Week open house. We chatted about painting in the living room of Fool's Paradise, her home and studio since 1932. She autographed her memoir A Fool in Paradise, An Artist's Early Life as follows: "To Ingrid, with good wishes from the fool herself, Doris McCarthy". 

And this week, instead of working in the fashion milieu, I will be taking a painting workshop with her neighbour and painting companion, Barbara Sutherland.  We'll be roughing it in the bush in the beautiful Rouge Valley ravines and I'll be painting landscapes, something that I've never done before. I'm not sure why I am drawn to it now, perhaps it is because I've recently been spending a lot of time in Toronto's ravines using nature as the backdrops for my fashion photographs. The beauty of nature is calling to me. 

From the series My Mother/Myself by Ingrid Mida 2010


I'm going to take a page from Doris McCarthy's life. "I want to be the kind of person who says yes." (A Fool in Paradise, page 234).  


June 19 to July 24, 2010

Doris McCarthy Gallery
University of Toronto Scarborough
1262 Military Trail
Toronto, Ontario Canada