Showing posts with label Launch Projects Gallery. Show all posts
Showing posts with label Launch Projects Gallery. Show all posts

Friday, November 20, 2009

New Directions in Sculpture continued


Vanitas I, Paper Sculpture by Ingrid Mida 2009

In Vanitas I, I have created a circular sculpture out of fashion magazines inspired by the shape of a crinoline or hoop skirt from 1860. Emerging from the form are the airbrushed illusions of the ideal woman - tall and thin,  dressed and coiffed to perfection  - a largely unattainable standard of beauty that fuels the big business of fashion.

The sculpture is entitled Vanitas I after the latin "vanitas vanitatum" meaning the emptiness associated with earthly life and the transient nature of vanity. This theme, which also has biblical references in the Ecclesiastes "Vanity of vanities! All is vanity", has served as inspiration and thematic premise for many artists, including 17th century Dutch still life paintings. The title seemed highly appropriate given the nature of vanity in the world of contemporary fashion magazines.

This particular sculpture is in the window of Launch Projects and if you happen to be driving or walking by 404 Adelaide Street West in Toronto, you can see it without even going inside. It looks particularly striking at night.

I know this art work is not commercially viable but it feels right! I think it is provocative and compelling.

Tuesday, November 17, 2009

New Directions in Sculpture


The Sound of Paper by Ingrid Mida  Paper Sculpture (10 inch diameter) copyright 2009


The Sound of Paper (Detail Shot) 
Paper Sculpture by Ingrid Mida, copyright 2009


If you've been wondering why my blog posts have been somewhat irregular in the past three months, it was in part because I have been working hard to take my artwork to another level, to layer in deeper meaning and make it more contemporary.

This book work called The Sound of Paper takes inspiration from the shape of a crinoline as well as my research into the history of feminism. While it may appear to be simply the silhouettes of women dressed in 17th century clothing who are emerging from the pages of the book, it also has a deeper layer of meaning in honour of French writer Francois Poullain de la Barre who rejected the principle that a person's sex determined the capacity for learning in a paper entitled "On the Equality of the Two Sexes" in 1673.

I'm participating in a group show that opens tomorrow at the Launch Projects Gallery in Toronto and will be posting more of this new work on both my blog and my website. I look forward to hearing your reactions!