During its run in London at the Royal Opera House, Christopher Wheeldon's version of Alice's Adventures in Wonderland performed by the Royal Ballet was a hit. The National Ballet of Canada recently brought this co-production to Canada and it has been playing to packed audiences since its opening. The reviews have been glowing on all accounts including this one in the Globe and Mail.
Commentary on the intersection of fashion, art, books, history and life by Ingrid Mida.
Showing posts with label National Ballet of Canada. Show all posts
Showing posts with label National Ballet of Canada. Show all posts
Saturday, June 11, 2011
Friday, February 4, 2011
Clothing as Canvas
The phenomena of the paper dress is something that has long intrigued and inspired me. First introduced to the market in 1966 as a novelty item by the Scott Paper Company, paper dresses were an instant hit. Released from the narrow constricts of what was considered acceptable attire in an era of sexual and workplace revolution, women quickly adopted the freedom of these cheap and sexy paper dresses. I've written many posts about the paper dress in the past, and was delighted to discover that The Royal Ontario Museum in Toronto has several on display in their Jennifer Ivey Bannock Exhibit on the fourth floor.
According to Dr. Alexandra Palmer, Senior Curator Senior Curator Textiles & Costume at the ROM "the newest display entitled Clothing as Canvas presents paper fashions that emulate textiles and fashion and textiles that copy printed paper from the 1940s to the present."
Besides the striking Time Magazine dress, I was drawn to a paper gown created by Toronto designer Ruth Dukas in 1967 for a gala event in support of the National Ballet of Canada. The volunteer committee asked several fashion designers including Yves Saint Laurent, Pierre Cardin, Courreges, Pucci and Geoffrey Beene to create paper dresses for the evening's event and auction. The Ruth Dukas dress (shown below) is made of painted paper, glued on cloth flowers and sequins. If I hadn't been told that it was paper, I would have guessed that it was cotton.
Also on display are textiles that look like paper including a silk knit dress designed by John Galliano for Christian Dior ready to wear 2000-2001. The fabric of this dress is printed to look like a fictional Dior newspaper with reviews and commentary on his collection and was worn and donated to the ROM by Torontonian Kara Alloway. The printed textile of the Dior dress echoes a scarf created by Elsa Schiaparelli from the 1940s (which is also on display). Given my background in newspaper publishing, I lingered for a long time in front of these items - so long in fact, that the security guard nervously hovered close by until I left the gallery.
Royal Ontario Museum
100 Queen's Park, Toronto, Ontario
416-586-8000
www.rom.on.ca
Photo credits: All photos were provided by the ROM and are subject to copyright.
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Time Magazine dress, Printed paper designed by Walter Lefmann and Ron de Vito USA 1967 Gift of Time International of Canada Ltd. ROM 967.77 (Photo by ROM staff) |
Besides the striking Time Magazine dress, I was drawn to a paper gown created by Toronto designer Ruth Dukas in 1967 for a gala event in support of the National Ballet of Canada. The volunteer committee asked several fashion designers including Yves Saint Laurent, Pierre Cardin, Courreges, Pucci and Geoffrey Beene to create paper dresses for the evening's event and auction. The Ruth Dukas dress (shown below) is made of painted paper, glued on cloth flowers and sequins. If I hadn't been told that it was paper, I would have guessed that it was cotton.
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| Evening gown by Ruth Dukas 1967 Printed paper, glued on cloth flowers and sequins ROM 968.200A, Gift of the National Ballet of Canada |
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| John Galliano for Dior, 2000-2001 Ready to Wear ROM2002.39.1 Photo by ROM staff |
100 Queen's Park, Toronto, Ontario
416-586-8000
www.rom.on.ca
Photo credits: All photos were provided by the ROM and are subject to copyright.
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