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Surreal Body Gallery from Impossible Conversations: Schiaparelli and Prada at the Met Photo courtesy of the Costume Institute at the Met |
Commentary on the intersection of fashion, art, books, history and life by Ingrid Mida.
Showing posts with label Fashionality. Show all posts
Showing posts with label Fashionality. Show all posts
Saturday, August 18, 2012
Last Chance to See
The summer is drawing to a close as are a number of exhibitions of fashion in the museum. The list includes:
Impossible Conversations: Schiaparelli and Prada at the Metropolitan Museum of Art in New York closes TOMORROW Sunday, August 19, 2012. My review of the exhibition was published on Fashion Projects and can be read here.
Sunday, July 1, 2012
Fashion and Art, Canadian Style
Fashionality:
1. One's personality expressed in their clothing, “fashion personality.”
2. One's nationality expressed in their clothing, “fashion nationality.”
—The Urban Dictionary
Today is Canada's 145th birthday and it seemed like the perfect day to post about Fashionality: Dress and Identity in Contemporary Canadian Art at the McMichael Gallery in Vaughan, Ontario. I've extracted parts from the press release below to present an overview of the show, and it is clear that this would have been the perfect venue for my beaded and embroidered hockey equipment from my recent show Constructions of Femininity at loop gallery.
“Fashionality” is a newly coined play on words that refers to the visual culture and semiotics of dress and adornment. Combining the words “fashion,” “personality,” and “nationality,” it signals the interplay between clothing, identity, and cultural affinity. Taking the idiom of dress as a starting point, Fashionality: Dress and Identity in Contemporary Canadian Art explores the use of apparel in the work of twenty-three contemporary Canadian artists. It considers the diverse ways in which the clothed body and the idiom of dress are employed as sources of inspiration, humour, and critique, and as sites for the exploration of issues of identity, hybridity, and self-expression. Not strictly about fashion, the exhibition explores the ways in which the subjectivities and identities of those living in Canada are expressed, deconstructed, and reconfigured, while raising some intriguing questions about the embodied Canadian subject.
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