Wednesday, August 28, 2013

College Fashions in Vogue, August 1937

Cover Vogue, Inccorpoating Vanity Fair August 15, 1937
Fashion magazines have used the back to school theme as inspiration for their August issues for many years. I recently found an issue of Vogue dated August 15, 1937 with College Fashions as the theme. 1937 was a turbulent year in history with the Spanish Civil War, the Hindenburg disaster, the disappearance of Amelia Earhart and the rise of Stalin. In spite of the unrest, all was rosy on the fashion front.

Published twice a month, there were three Vogue magazines at the time- American, French and British. Edna Woolman Chase was Editor-in-Chief of all three. 

The August 15, 1937 issue of the magazine was 166 pages and features a model wearing a green and red plaid wool dress that is "reminiscent in style of the Grossman jersey dress, adopted by the emanticipated woman of 1918", but with the "casual chic of youth in its pleated skirt and white pique collar." 

The magazine features college themed advertisements as well as editorials on topics like: 
Voted most popular
College endowment
Compulsory for campus
Cut out for college
School directory
Autumn landscape colours
Puzzle parties
Most likely to succeed
Professor Shop-hound


Monday, August 26, 2013

Back to School, Back to Blogging


Sleeveless dress with Matching Cropped Jacket
Bill Blass for Maurice Rentner, c.1963,
FRC1986.01.01 A+B
I think this dress and jacket ensemble by Bill Blass for Maurice Rentner would be the perfect outfit for me and back to school. The colour is vibrant and the jacket could come off for those warm fall days still to come. Unfortunately, it can never be worn again as a museum artifact, but I love the timeless elegance of early 1960s looks and it makes me smile on what is a dark and rainy day in Toronto.

The scent of fall is in the air. The days are shorter and the nights cooler. I am starting to yearn for the cozy comfort of my cashmere sweaters and wraps.... It must be time to get back to school, back to work.

My summer was busy, with nary a moment of rest or relaxation. I did manage to steal away from work for a few sunny afternoons reading fiction in my backyard, but otherwise I spent many days in the windowless rooms of the Ryerson Fashion Research Collection. Not only did I move the entire collection from the seventh floor of the library, but, among other things, I also supervised two students who photographed about 100 key artifacts in the collection.

It felt like I had no time to write on this blog, especially since I am editor of the Costume Journal, have a bi-weekly column for Worn Through and also have been writing exhibition reviews for Modeconnect, and am supposed to be working on the Fashion Research Collection Blog. Admittedly, I still have some hesitation about writing on this platform after that distressing discovery last fall that much of my content had been copied elsewhere. And yet, it seems that I should be making this blog my priority -- even though many, if not most, of my colleagues in academia dismiss personal blogs as folly. 

Wednesday, August 14, 2013

Fashioning the world into art: Ai Weiwei at the Art Gallery of Ontario

Portrait of Ai Weiwei,
Courtesy of the Art Gallery of Ontario 
Ai Weiwei is an artist unlike any other of our time, crafting transgressive installations, assemblages and sculptures that address the complexities of human existence. His artwork is deeply personal and yet universal in meaning in its distillation of culture, politics and power. Although Ai Weiwei invokes social media as part of his creative practice, his sculptural and installation work is imbued with powerful emotions that cannot be conveyed through photos. This is art that you need to be in the same room with to truly appreciate the subtleties thereof. 

Ai Weiwei: According to What?  opens at the Art Gallery of Ontario in Toronto on August 17, 2013 as its sole Canadian venue.

In writing this review, it might appear that I am ignoring my self-imposed rule that an exhibition relate to fashion in some way, and yet it is a little known fact that Ai Weiwei moved to the USA in 1981 to attend Parsons The New School of Design. It was during this New York sojourn, where he found inspiration in the works of Jasper Johns, Andy Warhol and Marcel Duchamp. Off to one corner and easy to overlook is one of Al Weiwei's early works called Château Lafite from 1988. This sculpture is made from a pair of Chinese shoes strapped to an empty bottle of Chateau Lafite wine as a play on the word "feet".  In my own reading of it, I might offer that this sculpture could also be read as a critique on the adoption of the western symbols of status by the ruling class of China.

"Château Lafite", by Ai Weiwei 1988, Chinese slippers and Empty Bottle of Wine
Photo by Ingrid Mida 2013
Just as there are fashions in clothing, there are fashions in art. The work of Ai Weiwei might be in fashion, but it is one that will endure the test of time. Thoughtful, powerful and hauntingly beautiful, each piece resonates with the power and emotion of human existence. Three of my favourites included:

Friday, July 5, 2013

Book Review: Astor Place Vintage

Cover of Astor Place Vintage Paperback
Within a few pages of beginning to read the novel Astor Place Vintage, I was captivated and unable to tear myself away from the interwoven stories of Amanda and Olive. Written in alternating chapters, the book begins with 39-year old Amanda, a vintage clothing dealer who visits an elderly client and comes across Olive's journal in a trunk of clothing from the early 1900s. As Amanda's own life begins to unravel, she finds comfort within the pages of Olive's journal from 1907, especially since she, like Olive, wants to be independent and self-supporting. Although more than a century separates their lives, Olive and Amanda share a love of New York City and the backdrop of the city's history becomes another character in the story.


Friday, June 21, 2013

Decentralizing the Museum

Art Gallery of Ontario 
As I review my upcoming talk at the Art Gallery of Ontario this afternoon for the Discursive Spaces Conference, I came to the realization that the passions of my life - art, architecture, photography, fashion and the museum - have finally converged. Although it has felt like I have been toiling in obscurity for years, maybe this is exactly what was meant to be....

If you would like to read more about my talk "Decentralizing the Museum", I've posted the extended abstract on Worn Through. Btw, day passes are still available on the AGO website.


Sunday, June 16, 2013

The Costume Journal: Oh Canada!

Cover of the Costume Journal, Issue 43, Number 1
Art Directed by Marta Kowcun, Photo by Lawrence Cortes, Dress by Some Kong, Model Mikaela M. of Elite Models
Last fall, I agreed to take on the role as editor of the Costume Journal. Although I had more than enough to juggle, it seemed like an opportunity that I could not let pass me by. The Costume Journal is a publication of the Costume Society of Ontario, an organization that was founded in 1971 by Eileen Collard, Alan Suddon, and a passionate cadre interested in dress history. Although the circulation of this publication is relatively small, there are 14 museums and institutions around the world that subscribe to it, including the Royal Ontario Museum, the McCord Museum, and the Ryerson University Library.

After becoming the editor, I read the entire archive of the Journal from its beginnings in 1971, and was surprised to discover that the CSO used to regularly publish original research on dress, including articles by curators at the ROM and other dress historians. This seemed like a golden opportunity to revisit the Journal's roots. As well, there is a void in research on topics relating to Canadian dress and thus the theme of Oh Canada! was born.

In undertaking this redesign, my aim was to make the journal more relevant and modern, finding a niche between an academic journal and a mainstream fashion magazine, and while doing so, still honouring the Costume Journal’s roots. Up-to-date exhibition and event listings are now provided on the CSO website and Facebook page, and also circulated through membership emails.

Tuesday, June 11, 2013

VIKTOR & ROLF Dolls at the Royal Ontario Museum

      Dolls are conceptual art objects of strange beauty and desire.
                                                                   (Exhibition Label Viktor&Rolf Dolls at the ROM)

Viktor & Rolf Dolls at the ROM, Photo I by Ingrid Mida 2013
Ever since I first laid eyes on the Viktor & Rolf dolls in 2008 at the Barbican Gallery in London, their fashionable presence has haunted me. I've studied the exhibition catalogue repeatedly, read and reread Freud's essay on the uncanny, undertaken research on fashion dolls and used them as inspiration for my own creative journeys into the essence of the uncanny as it relates to fashion. For these reasons, I've been counting the days to their arrival in Toronto as part of the Luminato Festival.

Viktor & Rolf Dolls at the ROM, Photo II by Ingrid Mida 2013
On Sunday, June 9, I visited the ROM, expecting line ups out the door.... I was utterly surprised to find the gallery almost devoid of visitors, and the few that wandered in seemed not to know what they were looking at. I overheard several people asking the gallery attendant for information on what was on display.... Quel horreur!

Saturday, June 8, 2013

The June Fashion Calendar

I cannot recall another time when there have been so many fashion related events in Toronto, which means that, for once, I don't have to get on a plane to get my fashion fix. Here are a list of upcoming fashion related events in Toronto for June 2013.

VIKTOR&ROLF Dolls
June 9 - 30: VIKTOR&ROLF DOLLS at the ROM as part of the Luminato Festival
In this presentation at the Royal Ontario Museum, about 25 hand-crafted porcelain dolls styled to replicate runway looks are dressed in scaled-down versions of Viktor&Rolf couture designs. Initially presented in 2008 at the Barbican Art Gallery in London, England in 2008, these dolls have been set on a specially crafted miniature runway in the ROM's Thorsell Spirit House.  The exhibition is free and open during regular Museum hours. I saw this exhibition at the Barbican Art Gallery in 2008 and wrote a post at that time and have written about the dolls as part of a creative process journal project. For these reasons, I am really looking forward to having another look at these uncanny incarnations.

June 9: Out of the Box: The Rise of Sneaker CultureAn Illustrated Talk by Senior Curator Elizabeth Semmelhack at the Bata Shoe Museum 
Curator Elizabeth Semmelhack will discuss the history of the sneaker and the rise of sneaker culture in becoming the footwear of choice for many. My review of the exhibition was published on Modeconnect and my behind-the-scenes visit and interview with Elizabeth Semmelhack is presented on Worn Through.

June 21 at 330 pm: Decentralizing the Museum: The Ryerson Fashion Research Collection 
The Discursive Spaces Conference at the Art Gallery of Ontario (June 20-23) considers the "integration of art, design, and architecture in the creation of memorable and immersive museum experiences, while balancing the public’s expectations of self-directed expression and engagement".  In my joint presentation with architect Guela Solow, we will talk about our shared vision for the remodelling of the space to house the Ryerson Fashion Research Collection. In this conceptual plan,  the barriers of the museum have been disintegrated by integrating the collection within the university environment. Advance tickets are required for this conference and day passes are now available.


Friday, May 10, 2013

The May Fashion Calendar

Punk:Chaos to Couture at the Met Costume Institute
Photo by Ingrid Mida 2013

Museums are my happy place and May is museum month!

The Costume Institute at the Met sets the standard for all other fashion exhibitions and this year's show Punk: Chaos to Couture will likely be another blockbuster, especially with all the recent criticism and controversy.

Read my review on Worn Through here: http://www.wornthrough.com/2013/05/09/fashion-in-the-museum-punk-chaos-to-couture-at-the-metropolitan-museum-of-art/  I have to say that I never expected that in liking this exhibition, I was taking a controversial stance. 

Louboutin Sneakers at the Bata Shoe Museum
Photo by Ingrid Mida 2013
Another unusual choice of subject matter for a fashion exhibition is the sneaker, which is featured in the Bata Shoe Museum's exhibit Out of the Box: The Rise of Sneaker Culture. My review will be featured on Modeconnect

Notice of copyright: 
All text and images on this blog are the copyright of Ingrid Mida, unless otherwise noted. The copying of posts, images and/or text without proper attribution is violation of copyright and legal action will be pursued.

Monday, April 1, 2013

The April Fashion Calendar

Alexandra Kim: A Royal Presentation
April is a busy month for art and fashion related events. Here are selected highlights on the calendar!

April 3, 2013: Meet the Artists: Janet Cardiff and George Bures Miller at the Art Gallery of Ontario in Toronto. Internationally renowned artists Janet Cardiff and George Bures Miller share insights into their work and collaborative practice at 7 pm at the AGO.

April 5, 2013: Behind the Scenes at the Costume Institute. A talk by Chris Paulocik at the Royal Ontario Museum from 4-6 pm, presented by Friends of Textiles & Costumes.

April 10, 2013: Fashion Crimes. A panel discussion at the ROM on what it means to be Canadian in the fashion industry. BIG Business, BIG Pressure, BIG Names and BIG Hype.

Curator's Tour of Shine. Textile Museum of Canada. 630 pm. An exhibition tour that highlights the TMC collection as well as the work of contemporary artists Carmelo Arnoldin (Toronto), Ghost of a Dream (New York), Rhonda Weppler and Trevor Mahovsky (San Francisco/Toronto).

April 11, 2013:  Mass Exodus at Ryerson University School of Fashion.

April 13, 2013:   A Royal Presentation: Curating the dress collection at Kensington Palace. A talk by Alexandra Kim at the Textile Museum of Canada at 130 pm, presented by the Costume Society of Ontario.

April 17-18, 2013: The Launch of Europeana Fashion - online digital platform - in Florence.

April 19, 2013: The Opening of Musée du costume et du textile du Québec (MCTQ) in Montreal.

April 29, 2013: Lectures related to the Exhibition Fashion, Impressionism and Modernity at the Metropolitan Museum of Art in NYC, 3-5 pm, including a talk by Valerie Steele on the corset.

Notice of copyright: 
All text and images on this blog are the copyright of Ingrid Mida, unless otherwise noted. The copying of posts, images and/or text without proper attribution is violation of copyright and legal action will be pursued.

Thursday, March 28, 2013

Where to find me now



Dear friends,

It has been a while since I've posted here. After much of my blog was copied onto other sites, I lost some of the joy of sharing my research, reviews and opinions on this forum. I've been tweeting, posting links on the Costume Society of Ontario Facebook page and writing articles for Modeconnect. I also accepted the post of Fashion in the Museum columnist for Worn Through where I am writing a bi-weekly column. I've never been busier or more in demand, and yet something feels like it is missing.....

Tuesday, January 15, 2013

Fashion Exhibitions to See in 2013

Not to be missed in the winter/spring of 2013 are the following exhibitions of fashion in the museum:



Fashioning Fashion, European Dress in Detail 1700-1915 
Paris, Les Arts Décoratifs, December 13, 2012 – April 14, 2013

Museum Link: http://www.lesartsdecoratifs.fr/english-439/accueil-710/une-715/english-439/exhibitions/current-events#fashioning

My review: http://modeconnect.com/exhibition-fashioning-fashionparis


Impressionism, Fashion and Modernity

Paris, Musée d'Orsay, ends January 20, 2013
New York, Metropolitan Museum of Art, from 26 February to 27 May 2013
Chicago, Art Institute, from 25 June to 22 September 2013

Museum Links:
Musée d'Orsay: http://www.lesartsdecoratifs.fr/english-439/accueil-710/une-715/english-439/exhibitions/current-events#fashioning
Metropolitan Museum of Art: http://www.metmuseum.org/exhibitions/listings/2013/impressionism-fashion-modernity
Art Institute of Chicago: http://www.artic.edu/exhibition/impressionism-fashion-and-modernity



BIG
Royal Ontario Museum, Toronto, from November 3, 2012 until fall 2013

Museum Link: http://www.rom.on.ca/en/exhibitions-galleries/exhibitions/current-exhibitions/big

My review: http://fashionismymuse.blogspot.ca/2012/11/big-in-rom-costume-and-textile-gallery.html

Notice of copyright: 
All text and images on this blog are the copyright of Ingrid Mida, unless otherwise noted. The copying of posts, images and/or text without proper attribution is violation of copyright and legal action will be pursued.