Showing posts with label Valentino. Show all posts
Showing posts with label Valentino. Show all posts

Friday, September 13, 2013

Introducing the Ryerson Fashion Research Collection Blog

CN Tower Jumpsuit, c.1970s
Ryerson Fashion Research Collection
FRC2013.99.003

As you may know, I am the Acting Curator/Collection Co-ordinator for the Ryerson Fashion Research Collection and recently started a Collection blog. This new blog at www.ryerson-fashion-research-collection.com is part of the effort to create a digital portal into the Collection and was supported by a grant from the Learning and Teaching Office at Ryerson University. I invite you to visit the blog and subscribe by email if you wish to receive the posts that way. I'll be rolling out the 100 key artifacts over the course of the year. Here are some of my favourite dresses, although truth be told there are many more....

Saturday, December 1, 2012

What's on the Fashion Calendar for December 2012?

It's been a while since I've dared to post a calendar as it seemed to be one of the most popular posts to be copied onto other sites.....

Here are my picks for December 2012 fashion events:

Valentino: Master of Couture
Photo courtesy of Somerset House, 
Valentino: Master of Couture at Somerset House, London

Opened on 29 November 2012  and runs until 3 March 2013
Somerset House,  Embankment Galleries, South Wing

This exhibition celebrates the life and work of Valentino and features over 130 exquisite haute couture designs worn by icons such as Jackie Kennedy Onassis, Grace Kelly, Sophia Loren and Gwyneth Paltrow in an exciting installation created specially for Somerset House in London, UK.  I adore Valentino, but am wondering whether this exhibition can match the incredible installation at the Ara Pacis in Rome (July 6 - October 28, 2007).



Appearances Can Be Deceiving at Frida Kahlo Museum, Mexico City
Opened on November 22, 2012 and runs until November 2013

Judith Clark curated this exhibition of 300 items of clothing worn by the artist Frida Kahlo. Apparently after her death in 1954 and Diego's death in 1957, art collector Dolores Olmedo who acted as the manager the estate, refused to give access to Kahlo's archives of letters, clothes, jewelry and photographs. They were not unlocked until 2004 after Olmedo died. One of the highlights of the show is a corset designed by Jean Paul Gaultier who considered Kahlo a fashion icon and a source of inspiration.

If you cannot make it to Mexico City, the Art Gallery of Ontario has one of Frida Kahlo's painted corsets on display in their exhibition Frida & Diego: Passion, Politics and Painting. Read my post about the exhibition here.


Impressionism and Fashion at the Musee d'Orsay, Paris
Opened on 25 September 2012  and runs until 20 January 2013

In an essay called "The Painter of Modern Life", Charles Baudelaire encouraged artists to paint contemporary fashion as a way to convey modernity in their work. He wrote: "the gesture and the bearing of the woman of today give to her dress a life and a special character which are not those of the woman of the past.” Baudelaire was friends with many of the Impressionists including Degas, Manet, and Renoir, and their paintings captured women at a time when the rapid changes in fashion revealed subtle clues about class, status and identity. (By the way, this is a topic that I've researched at length and does not necessarily reflect what might be in the exhibition).

In Impressionism and Fashion, the exhibition presents paintings by such artists as Renoir and Manet as well as actual garments and considers how Impressionists such as Renoir and Manet depicted fashions of the day. A team of curators worked on this exhibition including Gloria Groom, curator at the Art Institute, Chicago, Philippe Thiébaut, general curator at the Musée d'Orsay, Paris. and Susan Stein, curator at the Metropolitan Museum of Art, New York. The exhibition will move to the Metropolitan Museum of Art from February 19 to May 27 and at the Art Institute of Chicago from June 26 to September 22.

Notice of copyright: 
All text and images on this blog are the copyright of Ingrid Mida, unless otherwise noted. The copying of posts, images and/or text without proper attribution is violation of copyright and legal action will be pursued.



Monday, July 18, 2011

My Picks from Paris Fall 2011 Couture

Valentino Fall 2011 Couture
Photo by Yannix Vlamos
I love how the world of fashion is now just a click away. With a myriad of deadlines all coming to a head last week, reviewing the Paris Fall 2011 Couture collections has been on my to-do list for two weeks now. Maybe someday I'll actually get to see it in person, but being able to click back and forth between the shows makes it relatively easy to see the common threads. 

The Paris Fall 2011 Couture collections were defined by extreme embroidery, feathers, ruching, and shredded effects. In the past, Chanel and Dior have easily been among my top picks, but not this time. The matronly suits at Chanel and the chaotic circus-like outfits of Dior put them at the bottom of my list. 

My favourite looks from Paris Fall 2011 Couture all share two things in common - elegance and a flattering silhouette. If I could afford it, these are the looks that would find their way into my closet.

Jean Paul Gaultier Fall 2011 Couture
Photo by Yannis Vlamos
Jean Paul Gaultier Fall 2011 Couture
Photo by Yannis Vlamos
Valentino Fall 2011 Couture
Photo by Yannis Vlamos
In terms of artistry and innovation, the winner to me would be Givenchy. Riccardo Tisci showed a selection of sheer white gowns worn over body-suits and embellished with over-the-top embroidery and beading creating a beautiful type of armour. The woman is a beautiful, powerful and yet delicate creature. This is a modern vision of purity, elegance, romance and beauty.

Givenchy Fall 2011 Couture
Photo courtesy of Givenchy
Givenchy Fall 2011 Couture
Photo courtesy of Givenchy
Which is your favourite?

Notice of copyright: 
All text and images on this blog are the copyright of Ingrid Mida, unless otherwise noted. The copying of posts, images and/or text without proper attribution is violation of copyright and legal action will be pursued.

Tuesday, May 17, 2011

Window Shopping in Paris

Whoever said money can't buy happiness simply didn't know where to go shopping.
Bo Derek

A lacy confection from Nina Ricci

Valentino Red 2011

A Madame Gres inspired dress at Chloe
  (Watch for my review of the Madame Gres exhibition on Fashion Projects)
A hot pink number at Nina Ricci!


The windows tell a story at Chanel!
One thing I love about window shopping in Paris is that the prices are posted somewhere within the window. One glance and you know immediately whether or not you can afford to venture inside. Sadly, I could not buy anything because the only time I had for shopping was on Sunday when the shops were closed!

Photos by Ingrid Mida 2011


Sunday, June 28, 2009

La Petite Robe Noire

I have had a long fascination with la petite robe noire (the little black dress). In fact, my very first fashion illustration from age 12 was of a little black dress.


"You can wear black at any hour of day or night, at any age and for any occasion. A little black dress is the most essential thing in any woman's wardrobe. I could write a book about black."
Christian Dior

"Black is both material and colour, shadow and light. It is neither happy nor sad, but bearing and elegance. Perfect and inescapable, it is as irrestable as night."
Christian Lacroix

"You should wear a black dress at all ages. When the little black dress is right, there is nothing else."
Wallis Simpson, Duchess of Windsor

I wrote down the above quotes on the exhibition pamphlet from a 2004 display of little black dresses in Toronto. La Petite Robe Noire presented 54 little black dresses from Didier Ludot's private collection of vintage couture and included labels such as Chanel, Lucien Lelong, Balenciaga, Christian Dior, Yves Saint Laurent, Valentino, Azzadine Alaia, John Galliano and others.


Of course, when I was in Paris in May, I had to visit Didier Ludot's vintage shops at the Palais Royale. Didier Ludot has an extensive collection of vintage couture, not all of which is black!

Photo credit: Ingrid Mida, 2009

As well, he has a storage facility packed with the most beautiful gowns, some of which he has made available to museums for display. I was quite taken with this lovely pink gown by Dior.

Photo credit: Ingrid Mida, 2009

I have many little black dresses in my closet but one of my favourites is this one from Didier Ludot's private label. It was a prototype dress (made as a sample for production) and was a little too big when I wore it for a dinner in Paris. I basted the side seems on the top and used a ribbon from a Dior gift bag for my belt! (Notice my "purse" on the stool nearby which is actually my toiletry bag!)


If you cannot make it to Paris to visit Didier Ludot's shops at the Palais Royale, you might want to pick up a copy of his Assouline book "The Little Black Dress, Vintage Treasure" (New York, 2001).

Thursday, March 19, 2009

Valentino: The Last Emperor

Valentino Retrospective, copyright Ingrid Mida 2007


The latest must-see movie for fashionistas opened last night in Manhattan. The documentary: Valentino: The Last Emperor by Matt Tyrnauer offers glimpses into fashion designer Valentino Garavani's opulent lifestyle.

This 96 minute long documentary portrait includes scenes in his atelier, at Valentino's lavish palaces, on his private jet and on his yacht with his life and business partner Giancarlo Giammetti and their six pugs. When asked the question "What do women want?", the legendary designer responded "They want to be beautiful".

The movie also documents the 45th anniversary celebrations of the Valentino line in Rome, which included a retrospective of his work at the Ara Pacis Museum, a ball at the Villa Borghese and a spectacular party at the Colosseum. (I was in Rome at this time and attended the retrospective which was breathtaking in its beauty and took some fabulous photos one of which is posted above). Two months later, Valentino retired.

I am a huge fan of Valentino, especially of that special shade of cherry-red known as Valentino red. I must say I was sorry to learn of his retirement. The line is not the same without him!